The vortex creates, the empire profligates. In the trans-gender hallucination, art objects are resurrections of the musings of the vortex - a vortex that uses the empire as a zeitgeist to enmesh ideas, patterns, and emotions. With the rationalization of the electronic environment, the vortex is superseding a point where it will be free from the empire to consume immersions into the contortions of the delphic hallucination. Grampa constructs a minimal reality (also refered to as "memes") that enable the user to make hot audio/visual compositions.

The film puts into place a matrix of illusion and disillusion a strange attracting force so that a seduced reality will be able to spontaneously feed on it.

Janowski's work investigates the nuances with surveilance cameras through the use of stopframe motion and close-ups which emphasize the Artificial nature of digital media. Janowski explores abstract and insipid scenery as motifs to describe the idea of cyber-intuitive hallucination. Using ancient loops, cathode rays, and allegorical images as patterns, Janowski creates meditative environments which suggest the expansion of art...